D'un pays lointain: Miracles; Visages de femmes; Anecdotes by Remy de Gourmont

(3 User reviews)   399
Gourmont, Remy de, 1858-1915 Gourmont, Remy de, 1858-1915
French
Hey, I just finished this strange little book from the 19th century, and I can't stop thinking about it. It’s called 'D'un pays lointain' by Remy de Gourmont. Don't let the French title scare you off—it’s a collection of short pieces that feel like peeking through a keyhole into another world. The main thing that grabs you isn't a single plot, but this eerie, beautiful tension between faith and doubt. One minute you're reading about a saint performing a miracle, and the next, you're seeing the world through the eyes of a cynical observer who questions everything. It’s like Gourmont is having an argument with himself on the page. The 'miracles' aren't always divine; sometimes they're just weird, unexplained moments in everyday life. And the 'faces of women' he paints are haunting—they're not just characters, but symbols of everything from purity to temptation. The whole book feels like a puzzle about what we choose to believe. If you're in the mood for something short, poetic, and deeply philosophical that sticks with you, give this a try. It’s a quiet, challenging gem.
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Remy de Gourmont's D'un pays lointain (From a Distant Country) isn't a novel with a beginning, middle, and end. It's more like a cabinet of curiosities from a brilliant, restless mind. Published in the late 19th century, it brings together three distinct sections: 'Miracles,' 'Faces of Women,' and 'Anecdotes.'

The Story

There's no linear plot. Instead, Gourmont offers a series of vignettes and reflections. In 'Miracles,' he presents brief, often ambiguous tales of supernatural events, but frames them in a way that makes you wonder if they're acts of God or just strange coincidences. 'Faces of Women' is a gallery of female portraits—some real, some mythical—each representing an idea or an emotion, from sacred love to destructive passion. The final section, 'Anecdotes,' is a mix of historical snippets, personal observations, and philosophical musings. The 'distant country' of the title isn't a physical place, but a state of mind—a realm of ideas, symbols, and questions that feel just out of reach.

Why You Should Read It

I loved this book for its atmosphere. Gourmont writes with a poet's eye and a skeptic's heart. Reading it feels like walking through a dimly lit museum late at night. You're not getting easy answers. Instead, you're invited to sit with big questions about belief, beauty, and human nature. His descriptions, especially of the women, are incredibly vivid. They aren't fully fleshed-out characters, but they linger in your imagination like half-remembered dreams. The real pleasure is in the language and the mood. It's dense, but in a rewarding way—each short piece is something you can turn over in your mind for days.

Final Verdict

This book is perfect for readers who love symbolism, poetic prose, and works that make you think. If you enjoy authors like Baudelaire or the fragmented style of modernists who came later, you'll find a fascinating precursor here. It's not for someone looking for a fast-paced story or clear-cut narratives. Think of it as a philosophical snack—rich, intense, and best consumed in small, thoughtful bites. If you're curious about the fin-de-siècle spirit and don't mind a book that asks more questions than it answers, Gourmont's distant country is a trip worth taking.



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Kevin Torres
1 year ago

Clear and concise.

Ashley Torres
5 months ago

I was skeptical at first, but the character development leaves a lasting impact. Don't hesitate to start reading.

Lucas Wright
1 year ago

I had low expectations initially, however it creates a vivid world that you simply do not want to leave. Definitely a 5-star read.

4.5
4.5 out of 5 (3 User reviews )

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